Thursday, November 7, 2013
Thursday, October 17, 2013
October 17th, 3ftx4ft purple painting revisions
Here are images of the painting as a whole, taken in slightly different light.
The glare/shininess will be greatly reduced during the varnishing stage by applying a satin varnish. This will also unify the sheen of the whole piece. Also, what might look like gray or black in this lighting is actually a dark, muted purple.Here are images of each of the corners.
Note that none are white. Each has a light glaze of color. You can see this best in the image where the white edge of the painting shows.
Left, top edge:
Right, top edge:
Left, lower edge:
Right, lower edge:
Here are close-up photos of the new canvas texture:
Tuesday, October 8, 2013
October color change on a custom, 2-part canvas painting:
The following are close-up views.
Notes on technique:
- I used a bit of texture so that the yellow area on the right hand canvas wouldn't look like a flat shape.
- I echoed that texture in a small part of the left hand canvas.
- I blended lighter and medium-value yellows (lighter and darker versions of the same yellow) to give some variety and to make a nice soft transition into adjoining shapes and colors:
Saturday, October 5, 2013
Oct 5 new canvas version of the painting
Wednesday, October 2, 2013
Tuesday, September 17, 2013
I'm moving this blog to my new website.
You can visit the new blog and website here.:
www.paintingsbykegilmore.com
Part II of "How to bring light values back into an acrylic painting" is already posted on the new site.
Here is a direct link to it:
http://paintingsbykegilmore.com/2013/09/15/how-to-bring-light-values-back-into-an-acrylic-painting-part-ii/
www.paintingsbykegilmore.com
Part II of "How to bring light values back into an acrylic painting" is already posted on the new site.
Here is a direct link to it:
http://paintingsbykegilmore.com/2013/09/15/how-to-bring-light-values-back-into-an-acrylic-painting-part-ii/
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